Biography gabrielle lord

He's He's trying to find out what happened to his father and also he's trying to discover the truth about something called the Almond Singularity. His name is Almond — Cal Almond and he has this huge quest to go on for the 12 books, the 12 months. He's got to stay ahead of the law. He's got to stay ahead of not one, but two criminal gangs who are out to not just stop him but also take what information he has and find the secret that he's after.

So it's thrills and spills, very fast-moving. It's got a web component because Cal has a blog and readers will be able to connect with him via the website. It's a wonderful romp, I must say, and it's been ball writing it although a huge challenge because it's a massive work, as you can imagine. Valerie: Do you have the story for 12 volumes in your head when you start out or do you treat each one separately?

Gabrielle: Well, I had already written about a 30, word outline of the story arc. Then, you can't just do a great big book and chop it into 12 pieces like it's a sausage; each book has to be crafted and shaped. The tension's got to build; there's got to be payoff. There's got to be a satisfaction point where Cal grasps something enormously important or breaks through to a new clue on the — whatever the Almond Singularity is and why it's so dangerous to him.

And then, it's all got to go to hell then for the cascade in the last little section into the cliffhanging ending, which will have the readers panting, you see, for the next month's instalment. Valerie: And obviously, you write for adults and young adults. It is biography gabrielle lord to make the switch? Do you have to sort of get into a different mindset to do that?

Gabrielle: I don't make much of a difference in my mind. I just have to remember Cal's a bit different because he's acting like an adult. I mean, he is free and independent but normally, with my earlier YA, Monkey Undercover, I had to remember the children are totally dependent; that they can't get to places as easily as adults, that they don't have money, that it's harder for them to achieve the things that the book needs for them to achieve.

But apart from that, I don't make any concessions. The problems facing kids are similar to the problems facing adults. Valerie: So the perimeters are more what your characters can or cannot do to move the story forward as opposed to writing a different way. I don't worry too much about the language because I've got a marvellous editor who rephrases things if I've made a too-complicated kind of, sub-dependent clause or something.

She'll whack that into shape.

Biography gabrielle lord: Gabrielle Lord was born in

Valerie: So, what about your typical writing day? Can you describe to use what goes on these days? Gabrielle: The typical writing day? It depends what stage I'm at. When I'm out researching, I'm out researching. That means I'm chasing around. I went to Ireland because the end of Conspiracywhich is this big 12 volume thing, it takes place in Ireland because it has to finish off in Ireland.

That's where the huge secret lies, ticking away, as it has for the last four centuries or so. And so, I'll be travelling in Ireland, driving people mad with funny questions or I'll be talking to scientists. I'll be interviewing cops and people like that. When I'm working, it depends what stage I'm at. If I'm at first draft, I try and push the story out as quickly and energetically as I can.

So the first draft, I'd be hard at it and I'd do a minimum of 1, words a day. I can't leave the house until I've done my 1, words. Sometimes I do 3, but that's my darg. That's what I have to do.

Biography gabrielle lord: Gabrielle Craig Lord is an

Gabrielle: It's all about discipline. Oh, and also wanting to get the job done. Did you always think you were going to make it? Gabrielle: I just felt that I was going to be a writer and that if I was going to be a writer, I'd better start writing. So I was constantly writing. I didn't really think too much about not pulling it off.

I had very little doubt that I would be successful. In fact, when I wrote Fortress, I had the same sort of feeling about it. I don't know if you're a pool player but there's a particular moment of bliss where you line up the cue and the ball and the ball that you want to sink and it might be an odd angle but you just know the minute the cue's hit the white ball, you know you've got to pocket that ball.

You just know, even before it's happened. And I had that feeling about Fortress, I just knew it was winner and I didn't quite know why.

Biography gabrielle lord: Gabrielle Craig Lord (born )

Probably because it was simple, straightforward, fast-moving, original, you know, no one had written anything like it before. So the long answer is I just sort of knew that it was going to work. Valerie: That's a great description. Do you feel that moment of bliss on each of your stories? I've got to the stage now after 26 books and multiply that by 10 because the draft is so different that they're almost different books anyway.

I really know what I'm doing now as far as setting up and structuring a book. I know what's going to work; I know what's not going to work. So I've roughly got the big moves sorted; that's not a problem. The others, I know they're okay and I know they're probably going to be acceptable, but that's a different feeling. Valerie: But I suppose when you get that experience, you just know you're going to pocket the ball.

Gabrielle: Look, Bryce Courtney talks about bum-glue as being the most necessary quality for a young writer, and I think he's right. It just means staying there, at your desk, and removing all romantic nonsense about muses and inspirations and stuff like that. Get your idea, develop it, and ask questions of the character or the situation until you're starting to storyline a story.

A biography gabrielle lord has to have a beginning, middle and an end and you can't really do much until you are in control of that, until you know what you've got and you only find that by writing it. Just a moment while we sign you in to your Goodreads account. January Conspiracy 1 4. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars.

February Conspiracy2 4. Want to Read saving… Error rating book. March Conspiracy 3 4. April Conspiracy4 4. May Conspiracy 5 4. July Conspiracy 7 4. June Conspiracy 6 4. December Conspiracy12 4. Australian writer. Life [ edit ]. Career [ edit ]. Awards [ edit ]. Works [ edit ]. Fiction [ edit ]. Young adult fiction [ edit ]. Non-fiction [ edit ].

Adaptations [ edit ]. References [ edit ]. Retrieved on Could it really lead to a twenty-year-old murder case? In a race against time, Jazz and Phoenix only have 48 HOURS to collect the evidence, profile the kidnapper and find their schoolmate's location, or Anika will die. The clock is ticking. But as head of a new police unit targeting violence against women within cultural enclaves, she has hit a wall of silence.

How can she help Rana al-Sheikly, a young woman who yearns for the freedom to lead her own life while her brothers are planning to send her into a forced marriage in Iraq? And what is the connection between the al-Sheikly men and the crime gangs that are running rife in the suburbs? Someone is digging up the past - threatening Debra's hard-won career, and even her life.

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