Rui palha biography of abraham lincoln

By continuing to use this website, you agree to their use. Comment Reblog Subscribe Subscribed. From 1 Artist 2 Another. Sign me up. Already have a WordPress. Log in now. Loading Comments A very deep person and a great talented photographer. Maybe the best BW stream in flickr. A Master. Dear, my dear maestro Rui, I'm sure that these three verses of Fernando Pessoa -Don Fernando, the best poet of the XXthCentury, fellow countryman of yourself and of all the lonely people of this world- are talking about you and your photography, your light and your heart.

Non passa giorno in cui io non senta il bisogno di passare a far visita a questo fotografo meraviglioso. Le sue immagini sono racconti di vita unici e irripetibili, narrati delicatamente da un grande maestro della luce e della composizione, rigorosamente espressi in un "coloratissimo" bianco e nero. Lui si definisce un "Eterno apprendista", io lo definisco "Un Grande Maestro" e "un carissimo amico".

Mi auguro che continui a lungo a farci sognare attraverso i suoi occhi. Con immensa stima.

Rui palha biography of abraham lincoln: A photographer/director circling the globe to

Massimo Losacco. Rui Palha Follow. Save Cancel Drag to set position! Photography is a very important part of my space View all Photos of Rui Palha. Testimonials Udo Toetzke says:. Thank you - your pics are so beautiful - and inspiring! Patrick Radolla says:. One word, Rui Palha - awesome! Thanks for sharing your beautiful work! Paulo Gomes says:.

Marcela Photosphera says:. Alexandr Voievodin says:. Eugene Freeman says:.

Rui palha biography of abraham lincoln: This document provides tips

Mariano Colombotto says:. Alessandro Neri says:. Tiago Ribeiro says:. Emre Ucar says:. He is the silently wandering witn… Read more Rui Palha is the great photographer of atmosperic black-and-white photography. Read less. Some may read a book, watch a movie, listen to music… I will look for great photos.

Rui palha biography of abraham lincoln: [X-Info] Abraham Lincoln and

Who Should Read This Article Anyone who is into black and white photography and street photography will enjoy reading this article because most of the works produced by Rui Palha are black and white street photography. Anyway, I had to use the darkroom and, of course, it was a good way to learn something more. Q: Other than street photography, do you accept other photography jobs?

Now, it is time to speak about why I consider myself a Street and Humanist photographer Besides straight Street Photography, I always have, in parallel, some social projects in problematic neighborhoods of Lisbon, and I love them. Q: What is your photography philosophy? Everybody has to be and feel free to create, to reflect what is inside themselves.

Q: Which is your favorite piece of work? Street Photography Tips by Rui Palha Q: What are your favorite parts and the biggest challenges as a street photographer? So you must have the head, the eye, the heart…and the finger on the same axis. We must have the capacity to anticipate the moment before it happens Q: Can u share with us some street photography tips?

Some tips I read somewhere, but with which I agree: Get close to the subject, make them the primary object in your frame. Street photography is all about observing people, their actions, and juxtapositions. Keep your eyes open, look for interesting connections. Be casual about the camera and keep it away from your face as far as possible.

As I said, be casual about the camera. Is equipment important or not? And can you tell us a little more about your relationship with this equipment to photograph? I still believe in that, and now even more. I do not care too much about equipment, including the camera I use. The lens, yes, the lens is very important. But above all the equipment, there are the "eyes" behind the camera.

Of course, nowadays, there are important technical characteristics for street shooting and they should be taken into consideration. Mainly the focus speed, the placement of buttons and behavior at high ISO. The rest are features I never use, I do not know what they are and I do not want to know about them. You're a black and white photographer: light and shadow.

Has it been a conscious choice or had the choice already been made when you realized it? I do not remember exactly if it was a conscious decision or not. But for many years until now, I used only black and white. There is a saying by Ted Grant, with which I agree completely: "When you photograph people in color, you photograph their clothes. But When You photograph people in Black and White, you photograph their souls!

Is there anything you could have photographed and that you regret not to have photographed? Or is there anything related to photography you regret not to have done? For example, the "nomadic Gypsies in Portugal. I also regret some other projects that could have started in the so-called 3rd World countries and that did not start. Was there a photographer you had personally known and who has impressed and surprised you, either as a person or as a photographer?

Yes, there is one, but I will not name him. It is an excellent photographer and a very polite person, very direct and a great character. Are there any photographer you do not personally know and you would like to have known? Of course! I would have loved to have known Henri Cartier-Bresson in person. I always cherished this hope and at the day of his death I felt really sorry for the loss and for not meeting him in person.

Is there any photograph of another photographer who has influenzed you significantly and that you often recall, and that you would like to have hanging on a wall of your house? Yes, several ones, but I prefer not to name them. About your photos, which was the image that influenced you most and that you remember the most? One that you consider your best photo or is it just another one among many?

My best photo, to me, does not yet exist. In some kind of self-critical way, do you think that you have any weak points as a photographer, you want to tell us about? I do not know if it's a weak point or not, and whether this can be considered as self-criticism, but I am very angry and frustrated with myself when I "fail" a picture that should not fail by any means.

This happened to me many times and, obviously, I view it as completely intolerable. There are times when there can be no slip-ups, rui palha biographies of abraham lincoln, crashes, etc. However I say, and it is true, that every day I learn a little more, both technical and aesthetical, and even in terms of life itself. So I say and reiterate that I am a lifelong learner.

Learn until death. This is when Rui Palha, spectator and critic of others photography, what do you think you unconsciously are looking for in those other people's images, which flaws do you search or qualities do you see and admire or draw your attention right away? What is expected in any work of art, whatever it may be, to feel a chill in the body and tears in the eyes.

Liking people. Respecting people. Having the ability to listen to people; they teach real life lessons. Try to understand people, their thoughts, their movements, their feelings, their souls. Be brave and courageous.