Otto dix biography 1969 gto

Sign up to the Art UK newslettera weekly edit of insightful art stories. German painter and printmaker. In the s he was, with George Grosz, the outstanding artist of the Neue Sachlichkeit movement, his work conveying his disillusionment and disgust at the horrors of war and the depravities of a decadent society with complete psychological truth and devastating emotional effect.

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Otto dix biography 1969 gto: "Die Kunstschätze Leningrads", , 34

Main menu Close. Sign in Register. Retrieved 20 September — via Google Books. The Brooklyn Rail. London: Bloomsbury. Retrieved 5 July What is: Degenerate Art? HENI Talks. Retrieved 7 January — via YouTube. InDix was dismissed from his post as a professor of art at the Dresden Academy of Art and was forced into internal exile at Lake Constance, near the Swiss border, where he was permitted to paint landscapes only.

Khan Academy. Tate Gallery. Retrieved 14 June Der Spiegel.

Otto dix biography 1969 gto: Six lithographs by the

Retrieved 17 November Retrieved 16 February SWI swissinfo. Retrieved 7 November Connaissance des Arts in French. Januar geschlossen Accessed: 16 January References [ edit ]. External links [ edit ]. Wikimedia Commons has media related to Otto Dix. Wikiquote has quotations related to Otto Dix. Otto Dix. Degenerate art. Degenerate Art Exhibition Degenerate Art auction.

Authority control databases. Toggle the table of contents. He represented his traumatic experiences in many subsequent works, including a portfolio of fifty etchings called Der Kriegpublished in Subsequently, he referred again to the war in The War Triptych, painted from At the end of Dix returned to Gera, but the next year he moved to Dresden, where he studied at the Hochschule fr Bildende Knste.

Otto dix biography 1969 gto: Otto Dix (–), GeorgeGrosz(–),

He became a founder of the Dresden Secession group induring a period when his work was passing through an expressionist phase. Inhe met George Grosz and, influenced by Dada, began incorporating collage elements into his works, some of which he exhibited in the first Dada Fair in Berlin. He also participated in the German Expressionists exhibition in Darmstadt that year.

Inhe joined the Berlin Secession; by this time he was developing an increasingly realistic style of painting that used thin glazes of oil paint over a tempera underpainting, in the manner of the old masters. His painting The Trenchwhich depicted dismembered and decomposed bodies of soldiers after a battle, caused such a furor that the Wallraf-Richartz Museum hid the painting behind a curtain.

In the then-mayor of Cologne, Konrad Adenauer, canceled the purchase of the painting and forced the director of the museum to resign. Dix's work, like that of Groszhis friend and fellow veteranwas extremely critical of contemporary German society and often dwelled on the act of Lustmord, or sexualized murder. He drew attention to the bleaker side of life, unsparingly depicting prostitution, violence, old age, and death.

In one of his few statements, published inDix declared, "The object is primary and the form is shaped by the object. Among his most famous paintings are Sailor and Girlused as the cover of Philip Roth's novel Sabbath's Theater, the triptych Metropolisa scornful portrayal of depraved actions of Germany's Weimar Republic, where nonstop revelry was a way to deal with the wartime defeat and financial catastrophe, and the startling Portrait of the Journalist Sylvia von Harden His depictions of legless and disfigured veteransa common sight on Berlin's streets in the sunveil the ugly side of war and illustrate their forgotten status within contemporary German society, a concept also developed in Erich Maria Remarque's All Quiet on the Western Front.

When the Nazis came to power in Germany, they regarded Dix as a degenerate artist and had him sacked from his post as an art teacher at the Dresden Academy. He later moved to Lake Constance in the southwest of Germany. Dix's paintings The Trench and War Cripples were exhibited in the state-sponsored Munich exhibition of degenerate art, Entartete Kunst.

War Cripples was later burned. They destroyed the piece of art. The bodies were depicted as decomposed and dismembered. This particular painting caused some controversy and, as a result, it was actually hidden behind a curtain at the Wallraf-Richartz Museum. The left-panel of this painting shows a crippled war soldier entering a Berlin pool area and being welcomed by prostitutes.

The same panel also depicts a man who is laying dead on the street. The center area shows the city of the Golden Twenties, which was when the city was influenced by American jazz and dance.