Mahaffey associates p&l travers biography

Milne's "Winnie the Pooh" series, among others. In fact, in P. Travers had first approached Ernest to do the "Mary Poppins" series. When he had to beg off because of overwork, the assignment went to Mary. InMary married E. Knox, a widower and the editor of Punch. At the time, Mary was only seven years older than Knox's daughter Penelope, who would later be known as the author Penelope Fitzgerald.

As Penelope grew older, she and Mary became like sisters, living near each other, and talking daily. Shepard, who spent her last years in a nursing home, died in September She was so modest, wrote Eden Ross Lipson, that she "did not wish to be buried with her husband in the pretty Hampstead cemetery because her name would add clutter to his stone.

Lipson, Eden Ross. October 2,B8. When the Second World War began, Travers was one of few British residents to welcome the nightly blackout, which most regarded as a terrible ordeal. It was, she wrote inan "ancient recreating fountain of darkness," in which London "swings now to earth's rhythm, goes with the sun and calmly obeys the law.

Arriving by ship via Canada, she wrote a series of 12 "Letters from another world" for the New English Weeklydescribing the American political scene in the days before American entry into the war. Another children's book, I Go by Sea, I Go by Landwas based on her Atlantic voyage with a shipload of evacuees, but was seen through the eyes of an year-old girl.

Homesick for England but unable to return through the hazardous North Atlantic, she had the chance to visit a Navaho Indian reservation in New Mexico. She spoke about her writing to tribal meetings, bought native clothes, and received a secret initiation name from the tribe—events she frequently referred to in later interviews.

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She remained fascinated by the southwest and was an admirer of Carlos Castenada's novels about Mexican-Indian religion in the s and s. Travers was back in London at the end of World War IIworking once more for the New English Weekly and, following its failure infor several other English periodicals. Inshe published The Fox at the Mangera tale of the animals which witnessed Christ's birth, which are joined by a fox, the wild animal that, she said, had been most harshly treated by earlier storytellers.

Walt Disney made the musical film of Mary Poppins instarring Julie Andrews as Mary but mixing human and animated characters for the second time in Hollywood's history. Travers, now in her late 50s, was a consultant on the set and made Disney agree to certain stipulations, such as setting the film in the Edwardian era rather than in the s setting of the books and not involving Mary Poppins in a romance.

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Even though it enriched her and pleased her in some ways, Travers said that the film was nothing like the books. She hoped it would stimulate a new interest in them rather than becoming their substitute. Later that year Travers posed for a statue of Mary Poppins being carved for New York 's Central Park to stand beside the statues of Hans Christian Andersen and Alice in Wonderland, though due to planning and siting problems it was never installed.

In the mid- and lates, she spent several years as writer-in-residence at American colleges—Radcliffe and Smith in Massachusetts and then Scripps College in Claremont, California. While working at Scripps, she published the text of a speech which summarizes many of her views, In Search of the Hero: The Continuing Relevance of Myth and Fairy Talearguing against the demystification of life and literature and against the idea of a sharp separation between the thoughts and lives of children and adults.

Reverting to this theme in a later article, she deplored the fact that "we grown-ups have become so timid that we bowdlerize, blot out, retell and gut the real stories for fear that truth, with its terrible beauty, should burst upon the children. Perhaps," she added "it is because we have lived through a period of such horror and violence that we tremble at the thought of inflicting truth upon the young.

But children have strong stomachs. They need to know what is true. In this period, she also shared the widespread countercultural fascination with Eastern religion—a theme in her work ever since her friendship with George Russell. Citations [ edit ]. Travers British author ".

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Retrieved Queensland Heritage Register. Queensland Government. The Daily Telegraph telegraph. Archived from the original on Travers, Pamela Lyndon Travers]". Oxford Dictionary of National Biography online ed. Oxford University Press. Subscription or UK public library membership required. Monument Australia. Travers; Where Starlings Greet the Stars".

The New York Times. Travers, p. Desert Island Discs. BBC Radio 4. Audio recording of the episode featuring Travers with Roy Plumley. Wentworth Courier. Sydney: The Daily Telegraph Sydney [dailytelegraph. L Travers: Biography reveals original character's sharp edge". Chicago Tribune. The Telegraph. The Guardian. The Toronto Star. The Daily Telegraph.

Travers, Mary Poppins Author". Daily Express. Banks ". History vs Hollywood. Event occurs at Fresh Air Interview. Interviewed by Dave Davies. A Life in Pictures. Irish Examiner. The Weekend Australian. ISBN Travers, pp. But this is the first full biography of the woman who wrote the Mary Poppins books, and a fascinating and extraordinary life it was too.

Travers was Australian, came to London as a journalist early in the twentieth century, became involved with Theosophism, got to know W. The book was successful from the start, and Travers soon followed it with a sequel, Mary Poppins Comes Back The reasons for the success of the Mary Poppins books have been the subject of numerous literary studies, but among those reasons is certainly the books' seamless mixture of fantasy and everyday elements.

The books also had deeper patterns of fantasy drawn from Travers's studies of myth and legend, and Travers never thought of them as being exclusively for children. They also incorporated aspects of her own life the father in the books, George Banks, was a bank manager like Travers Goffand, when asked by interviewers later what had given her the idea for Mary Poppins, she sometimes said it seemed the character had always been with her.

The New York Times quoted her as saying that "the ideas I had [as a child] move about in me now," and that "sorrow lies like a heartbeat behind everything I have written. All were illustrated by Shepard, and all maintained the world of the original book, frozen in time. But she also wrote other books, and pursued many interests beyond the imagined feats of her most famous creation.

She was sent to the United Statesand wrote a young adult novel, I Go by Sea, I Go by Land incast as the diary of an year-old girl evacuated from England during the war. Travers used part of her time in the United States to further her interest in mysticism, spending the summer of living in a boarding house in Window Rock, Arizona, on a Navajo reservation.

She earned the trust of some of the Navajos and was given an Indian name, obeying their injunction that it be kept secret. American film executive Walt Disney realized within a few years of the release of the original Mary Poppins that the series could be made successfully into a film, and first made an offer to Travers in She was skeptical about the idea and resisted it for many years, demanding, among other things, that any film be live action, not animated.

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She finally agreed to sell the rights to Mary Poppins inwith the stipulation that she would serve as consultant on the script of the film. Even so, she was dissatisfied with the final product, which she felt was too saccharine. The film took several years to finish, partly due to disagreements between Travers and Disney scriptwriters, and the straightforward if charming musical that eventually resulted had a very different flavor from that of Travers's stories.

However, Mary Poppins left Travers a wealthy woman for the rest of her life. Its plot included elements from several Mary Poppins books but was mostly based on the first one. The film was adapted into a stage musical that had its premiere in London in The Mary Poppins had already been turned into a stage play aroundbut Travers refused to give permission for a musical extravaganza by Cats creator Andrew Lloyd Webber.

Though well over 60 years old when the film appeared, Travers was not content to rest on her laurels. She served as writer-in-residence at Smith College in Massachusetts in