Lorser feitelson biography meaning

Lorser feitelson biography meaning: As an artist, intellectual and educator

Between andhe lived and worked in Paris, included in exhibition at the famous Salon d'Automne. His paintings, prints and drawings were exhibited in New York and in Paris. Upon his return to the United States, inFeitelson rejected the 'incestuous" influences of the New York art scene and made a decision to move to West. Upon arriving in Los Angeles inFeitelson set out to change the cultural landscape of the growing city.

Inhe founded Post-Surrealism movement with his future wife, Helen Lundeberg. From roughly to the end of his career in the s, Feitelson embarked upon a remarkable exploration of abstract forms. As time went on, Feitelson began reducing his compositions, focusing on the essentials. During his stay in Paris, notes exhaustion of Cubism and revival of classicism.

Turns from kinetic organizations towards more formal figure compositions. Travels through Italy and is re-inspired by the early Renaissance masters. Visits Corsica, Italy; his sketches from this island will become the basis for later neo-classical works of peasant subjects.

Lorser feitelson biography meaning: Lorser Feitelson, b. ;

Begins exhibiting at the Daniel Gallery and receives critical acclaim for his neo-classical painting, Judgment of Paris. Returns to the United States and travels to Los Angeles in November for a winter stay which becomes his permanent residence. Formulates first ideas of Subjective Classicism, to be known as Post-Surrealism. Meets Helen Lundeberg, one of his students.

Feitelson directs and designs the gallery. Moves to studio on Western Avenue just north of Melrose where he will remain for ten years. Los Angeles, CaliforniaUnited States. Early career [ edit ]. Career success [ edit ]. Move to abstraction [ edit ].

Lorser feitelson biography meaning: Lorser Feitelson came to

Television [ edit ]. Collections [ edit ]. References [ edit ]. Retrieved Pacific Standard Time at the Getty Center. Archived from the original on 5 December Retrieved 1 April Archives of American Art. Retrieved 3 June Los Angeles Times. Retrieved 21 December