Krasner biography

Krasner had to work in a factory, as a waitress, and also as an artist's model while studying for her teaching certification at night - the then approved career-path for women artists. Roosevelt's New Deal Many artists were kept financially afloat thanks to the New Deal programs, which also offered them camaraderie. The New Deal projects provided essential financial support to women artists, many of whom were provided their first professional opportunities under its auspices.

Having quickly advanced to a supervisory position, Krasner also worked as an assistant on large-scale public murals; in turn, Pollock served as her assistant on other WPA murals. Unhappy with the conservative artistic approach that she had learned earlier at the National Academy, Krasner krasner biography into more bohemian art circles during the s and, like many of her artistic peers, was drawn to Marxism.

Her choice to study under the leading artist and theorist Hans Hofmann proved significant since he exposed the young artist to the work and theories of Cubist painter and sculptor Pablo Picassoas well as the modernist Henri Matisse. Under the tutelage of Hofmann, Krasner began to work in an "all-over" style, covering the surfaces of her paintings with abstract, repetitive designs informed by floral motifs.

Hofmann once offered her the backhanded compliment that her work was so good "you would not know it was made by a woman artist. Krasner became a founding member of the American Abstract Artists, a group formed in New York City in to promote and help the public appreciate abstract art. It was then that she met Pollock, moving in with him in The pair married inand the duties of promoting and managing the practical aspects of Pollock's career fell to her.

While Krasner generously embraced her new responsibilities, it meant her own career took a back seat to the increasingly famous Pollock. Krasner never stopped creating during her year marriage to Pollock. Throughout their time together, Krasner struggled with his pronounced alcoholism and womanizing. When the couple relocated from Manhattan to the Springs, Long Island, in the late s, and Krasner began her breakthrough Little Imageseriesa body of work defined by the small size of the paintings and their repetitive, linear designs often in white pigment.

Along with Newman, Krasner shared an interest in Jewish Mysticism, or Kabalah, which comes to light in these small canvases. Her traditional Jewish education and heritage shaped the process and look of this series in which she intuitively painted right to left, or the direction of Hebrew lettering and created Kabalistic symbols, in order to directly connect with her subconscious.

Many modernists looked to other cultures, such as non-Western and tribal groups, for their artistic inspirations, whereas Krasner in fact was returning to her own cultural origins. Krasner possessed a lifelong krasner biography of Matisse's work, and in the early s began to experiment with collagea technique that Matisse used late in his career.

After a particularly frustrating day in the studio Krasner impetuously tore up her finished paintings, which she then later reassembled into constructions reminiscent of Cubism. Krasner's exhibition of these works was positively received, prompting well-known and demanding critic Clement Greenberg to declare it one of the most important shows of the decade.

The following year, Krasner began a large-scale Abstract Expressionist series called Earth Green, after her husband's death in a fatal car accident. Critics responded negatively to these works, which combined nature-inspired forms with a rhythmic, splattered technique, because they believed that the work was both derivative of Pollock's and too decorative a codeword for too feminine.

Krasner biography: Lee Krasner (born Lena

InKrasner suffered an aneurism, which sidelined her artistic productivity for several years afterward due to ill health. In the following period, Krasner continued to work with her nature-forms in variety of ways, combining them with large areas of more solid color on her canvases a choice inspired by Color Field Painting and Minimalism.

In the late s and s, her work experienced a revival due to the women's movement. Krasner's experimental techniques and innovative use of color and scale were finally recognized in her first retrospective exhibition in October at the Houston Museum of Fine Arts in Texas. Despite her poor health, Krasner was able to attend the exhibition, which subsequently traveled to San Francisco, California, Phoenix, Arizona, and Norfolk, Virginia.

Unfortunately, Krasner died in June from krasner biography bleeding due to diverticulitis and was never able to see her retrospective make its final stop at New York's eminent Museum of Modern Art. Krasner's artwork and biography continue to inspire generations of painters and she has become revered especially amongst women artists. Throughout her career, she directly confronted the dominant stereotype that "women can't paint" and struggled within the Abstract Expressionist movement, which prized masculinity and heroic figures such as Pollock.

Krasner influenced other artists, including those from future generations, by her stylistic and artistic innovations, her example of persistence, and her ultimate triumph. During the s, her large-scale brightly-colored works encouraged the feminist artist Miriam Schapiro 's femmage works. It was after Krasner's death, thanks to her generosity, that the Pollock-Krasner Foundation was established with the goal of assisting the development of fine artists.

Since its creation inthe foundation has awarded over 46 million dollars in grants to working artists around the world. Content compiled and written by Jessica Shaffer.

Krasner biography: Lenore "Lee" Krasner was an American

Edited and published by The Art Story Contributors. The Art Story. Abstract Expressionism. Important Art. Self Portrait Seated Nude Composition Milkweed Cool White Gaea Mysteries Early Training. Mature Period. She lived in the shadow of her late husband for much of her career, but she did receive some notice for her work during her lifetime. In she had a retrospective solo exhibition at the Whitechapel Gallery in London, later followed by a solo exhibition at the Whitney Museum of American Art in In poor health during her final years, Krasner was able to attend the first solo retrospective show of her career held in America.

The traveling exhibit debuted at the Houston Museum of Fine Arts in Krasner died of diverticulitis on June 19,in New York City. We strive for accuracy and fairness. If you see something that doesn't look right, contact us! Frida Kahlo. Jean-Michel Basquiat. Georgia O'Keeffe. Fernando Botero. Bob Ross. Gustav Klimt. Lili Elbe. Later Work and Death In the early s, Krasner was living back in Manhattan when she nearly died of a brain aneurysm.

Be alive is the point. And, as the limitations are something called pigment and canvas, let's see if I can do it. All my work keeps going like a pendulum Throughout the s and s, the painter's work was significantly influenced by postmodern art and emphasized the inherent problems of art as a form of communication. Starting inKrasner began making large horizontal paintings made up of hard-edge lines and a palette of a few bright colors that contrasted one another.

Three years later, she started working on her second series of collage images. She began working on these after cleaning out her krasner biography and discovered some charcoal drawings mostly of figure studies that she completed from to After saving a few, Krasner decided to use the rest in a new series of collages. In this work, the black and gray shapes of the figure studies are juxtaposed against the blank canvas or the addition of brightly colored paint.

Texture is induced through the contrast of the smooth paper and rough canvas. It is also considered a krasner biography about how artists need to reexamine and rework their style in order to stay relevant as they grow older. Although many people believe that Krasner stopped working in the s in order to nurture Pollock's home life and career, she never in fact stopped creating art.

Throughout her career, Krasner went through periods of struggle where she would experiment with new styles that would satisfy her means for expression and harshly critique, revise, or destroy the work she would produce. Because of this self-criticism, there are periods of time where little to none of her work exists, specifically the late s and early s.

Krasner and Pollock both had an immense effect on each other's artistic styles and careers. Since Krasner had learned from Hans Hofmann while Pollock received training from Thomas Hart Bentoneach took different approaches to their work. Krasner learned from Hofmann the importance of the abstracting from nature and emphasizing the flat nature of the canvas while Pollock's training highlighted the importance of complex design from automatic drawing.

Krasner's extensive knowledge of modern art helped Pollock since she brought him up to date with what contemporary art should be. He was therefore able to make works that were more organized and cosmopolitan. Additionally, Krasner was responsible for introducing Pollock to many artists, collectors, and critics who appreciated abstract art such as Willem de KooningPeggy Guggenheimand Clement Greenberg.

Through her friendship with collector and artist Alfonso OssorioPollock also became acquainted with Ossorio and Joseph Glasco. He inspired her to stop painting from human and still life models in order to free her interior emotions and become more spontaneous and gestural through her work. Krasner struggled with the public's reception of her identity, both as a woman and as Pollock's wife.

When they both exhibited in a show called "Artists: Man and Wife" inan ARTnews reviewer stated: "There is a tendency among some of these wives to 'tidy up' their husband's styles. Lee Krasner Mrs. Jackson Pollock takes her husband's paint and enamels and changes his unrestrained, sweeping lines into neat little squares and triangles. Krasner is still sometimes referred to as "Action Widow", a term coined in by art critic B.

Friedman who accused the female surviving partners of Abstract Expressionist artists of artistic dependence on their male partners. The image, addressing the krasner biography of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the feminist art movement. Krasner died on June 19,age 75, at New York Hospital.

A review in The New York Times noted that it "clearly defines Krasner's place in the New York School" and that she "is a major, independent artist of the pioneer Abstract Expressionist generation, whose stirring work ranks high among that produced here in the last half-century. Her papers were donated to the Archives of American Art in ; they were digitized and posted on the web for researchers.

After her death, her East Hampton property became the Pollock-Krasner House and Studioand is open to the public for tours. A separate organization, the Pollock-Krasner Foundationwas established in The Foundation functions as the official estate for both Krasner and Pollock, and also, under the terms of her will, serves "to assist individual working artists of merit with financial need.

Krasner's work was included in the exhibition Women in Abstraction at the Centre Pompidou.

Krasner biography: › Visual Arts › Painting.

Krasner was portrayed by Marcia Gay Harden in the film Pollockwhich is about the life of her husband Jackson Pollock. Krasner and Jackson Pollock established a relationship in after they both exhibited at the McMillen Gallery. She was intrigued by his work and the fact she did not know who he was even though she knew many abstract painters in New York.

She went to his apartment to meet him. In the summer of that year, they got married in a church with two witnesses. While the two lived in the farmhouse in The Springs, they continued creating art. They worked in separate studio spaces with Krasner in an upstairs bedroom in the house while Pollock worked in the barn in their backyard.

When not working, the two spent their time cooking, baking, gardening, keeping the house organized, and entertaining friends. Bytheir relationship became strained as they faced certain issues. Pollock had begun struggling with his alcoholism and was having an extramarital affair with Ruth Kligman. Krasner left in the summertime to visit friends in Europe but had to quickly return when Pollock died in a car crash while she was away.

Krasner was brought up in an orthodox Jewish home throughout her childhood and adolescence.

Krasner biography: Abstract painter and collage artist

Her family lived in Brownsville, Brooklyn, which had a large population of poor Jewish immigrants. Her father spent most of his time practicing Judaism, and her mother kept up the household and the family business. As a teenager, she grew critical of what she perceived as misogyny in orthodox Judaism. In an interview later in her life, Krasner recalls reading a prayer translation and thinking it was "indeed a krasner biography prayer in every sense except for the closing of it While she married Pollock in a church, Krasner continued to identify herself as Jewish but decided to not practice the religion.

Her identity as a Jewish woman has affected how scholars interpret the meaning of her art. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikiquote Wikidata item. American abstract expressionist painter — Jackson Pollock. Early life [ edit ].

Education [ edit ]. Early career [ edit ]. Career [ edit ]. Early s [ edit ]. Little Images: — [ edit ]. Early collage images: — [ edit ]. Earth Green Series: — [ edit ]. Umber Series: — [ edit ]. Primary Series: s [ edit ]. Late career [ edit ]. Krasner and Pollock's mutual influence on one another [ edit ]. Legacy [ edit ]. In popular culture [ edit ].

Personal life [ edit ]. Relationship with Jackson Pollock [ edit ]. Religion [ edit ]. Some institutional holdings [ edit ]. Art market [ edit ]. See also [ edit ]. References [ edit ]. Retrieved April 21,