Conrad tao bio

Meanwhile, he celebrates the th anniversary of Rhapsody in Bluegiving performances of the work at the Philharmonie in Berlin, the the Elbphillharmonie in Hamburg, and the Concertgebouw in Amsterdam with Matthias Pintscher and the Kansas City Symphony. This season also includes performances with dancer Caleb Teicher in the duo's Counterpoint program, which synthesizes the two seemingly disparate artforms of piano and tap dance.

More collaborations include a multi-city tour throughout the season with the Junction Trio, including a program of John Zorn, Ives, and Beethoven at Weill Recital Hall at Carnegie Hall, and the trio's Detroit debut, among many others. In the season, Tao performed Mozart with the New York Philharmonic, for whom he also curated a program for their Artist Spotlight series, featuring collaborations with vocalist Charmaine Lee, and wind ensemble The Westerlies.

After their successful collaboration with the Finnish Radio Symphony, Tao further re-united with Hannu Lintu to perform Tchaikovsky with the Naples Philharmonic, as well as returned to Finland to open the season with the Tampere Philharmonic and Santtu-Matias Rouvali. Some warmth throughout, not just in the lush melodic parts, would have been welcome.

This is not to say that his performance lacked nuance, because there were many lovely turns of phrases. However, it left the impression that he was impatient to get through the slow parts and back to the flights of virtuosity. But there is no denying Tao's brilliance and technical mastery. All of the above reservations about the performance are the sins of the young.

In the Mozart Piano Concerto No. The A minor Tao was so vivid, he might as well have been Gershwin at the keyboard.

Conrad tao bio: Tao was born in

Every note was electric. And the last movement of the Prokofiev Seventh Sonata, offered as an encore, simply made everyone's jaw drop. The opening was moving, and the way he paced mounting intensity in the last minutes uncovered the best in this work". Tao was the master of the Rachmaninoff and its many moods, offering inspired lyricism and ponderous power.

In the end, they roared their approval, giving Tao a sustained ovation. She noted:. Tao has a trick of subtly emphasizing bass lines and syncopations in a way that sounds fresh yet organic, never forced or overblown.

Conrad tao bio: Conrad Yiwen Tao is

He has huge technique and facility, but it's his relaxed, almost jazzy approach to the music that stood out. The Schumann was all restless energy and shifting, interior light. The Beethoven had a lively, prancing magnificence, vivid as a film. Of Tao's performance of Schumann's piano concerto with the Pacific Symphony, Ken Iisaka of San Francisco Classical Voice commented: "With clear, articulate lines, Robert Schumann's passionate ardor towards Clara was expressed with determination, through deliberate tempos.

Rather than letting the music be overly sentimental, rendering it a torrent of rage, Tao illustrated its volatile, bipolar personality with an unusual level of clarity and dryness. It almost felt as if the music gave a third-person account of the composer, rather than the music being by Schumann himself.

Conrad tao bio: Conrad Yiwen Tao (born June 11,

He found connections and bridges that I had been unaware of, observed pauses that emphasized the importance of silence in the midst of music, and generally convinced the audience that this was a performance to remember. In the crypt, the sheer volume of Mr. It was fascinating, though, to hear Mr. Tao draw out every dissonance-statured, vehement element of [Copland's piano] sonata while also bringing affecting tranquillity to the pensive conclusion of the last movement.

He hammers away at the piece with flawless staccato energy. The end of the first movement was so tumultuous and perfectly calibrated that the crowd burst into illicit applause. The Andante movement had a bluesy, bittersweet quality.

Conrad tao bio: A musician of “probing intellect and

The concluding Allegro brought Tao back to attack mode. The snap-bang ending brought the listeners to their feet It was by far the ear-opener of the evening. Tao had it in spades. He [found] warmth, nuance, and haunting expression where many see little more than virtuoso display. Tao ably guided his listeners through the eerie, twisted thicket that is a set of variations, conversing gently with his colleagues all the way.

Technically faultless and interpretively mature, this is a knock-out. The [Rachmaninoff] C minor prelude Op. It's an absolute joy to hear him fly through each of these pieces, the essences of which are not overwhelmed but rather recontextualized, given new life He was also asked by the Dallas Symphony to compose a work observing the 50th anniversary of President John F.

Kennedy's assassination, which will be performed in November of As an award-winning violinist, Conrad has performed with orchestras in Pennsylvania and Florida; inhe gave nine performances of Mendelssohn's Violin Concerto in E minor followed by Mendelssohn's Piano Concerto No. Conrad is an exclusive EMI recording artist. His first album, released as an iTunes exclusive in February of as part of the "Juilliard Sessions" series, comprised works by Debussy, Stravinsky, and Conrad himself.